The project’s architectural ingenuity, and possibly its long-term viability, lies in its resistance to the temptation of a grand gesture - some kind of nostalgic icon at the end of the pier that aims to draw visitors along its length. In its place is a vast, stark timber platform, apparently unprogrammed, allowing for an abundance of activities without predefining them. This deck aims to prevent the accumulation of low-quality, semi-permanent commercial booths, fully serviced and connected in order to host a lively and ever-changing lineup of performances, concerts, markets and fun fairs, but also able to serve as an open, undefined public space that articulates the meeting of land and sea.
"This space offered more potential than an 'iconic' building on the end of the pier, and demonstrates the evolving role of the architect as an agent for change,” said dRMM co-founder Alex de Rijke.
A surviving Victorian Pavilion at the start of the pier was revitalized into an open-plan glazed cafe, offering a hint towards the pier’s former character, but the only other permanent object is a low timber pavilion rising from the centre of the deck, containing a flexible event space and visitor centre. This space accommodates indoor events, exhibitions and educational activities, whilst framing a panoramic view of the pier and the open sea beyond. A grand staircase - doubling as seating for outdoor performances - leads up to a rooftop belvedere, from where visitors can survey the expanse of decking and whatever activities it might be hosting.
This pavilion does not aspire to make an architectural statement, rather dissolving into the timber deck and leaving the pier itself open to the masses. The creative use of timber is central to the project’s character - the visitor centre is a cross-laminated timber structure, clad in timber decking that survived the 2010 fire. This reclaimed timber was also used to make the furniture on the deck, designed by dRMM and a local wood recycling company as part of an employment initiative.
“It is a project that has evolved the idea of what architecture is – and what architects should do.” The Stirling Prize judges.
Hastings Pier is an extension of the Promenade from which it projects, as an open, public and undefined space. This is striking in its modesty, especially considering the very idea of a pleasure pier - an entirely man-made structure which rejects the natural limits of the coastline and boldly ventures out to sea. Whilst this may tempt a statement of achievement, of showmanship, dRMM have instead stripped the pier to its basic components, creating a genuinely public space that is owned by locals. There are future plans, including to construct a large mobile timber canopy that can traverse the entire 280m length of the pier, and the strength of Hastings Pier is that it is now equipped to embrace this and whatever else its community of users can imagine.